The composer talks about working with Aronofsky, scoring Moon, and a little about his ideas for Aronofsky’s next picture, Black Swan:
“Well it’s all really embryonic at the moment, one of the main ideas we’ve got is building the entire score out of elements from Swan Lake. I mean it would have to be vastly screwed with, but that’s a starting point. Sometimes we’ve had ideas in the past and you put them into practice and they just suck, so we’ll see.”
I’m so happy that there are artists still pushing boundaries with creative ideas like this.
